This painting of a snapdragon is an early painting in a series that Georgia O’Keefe became famous for. She said she wanted to paint flowers in close up to slow people down, to force them to examine the small in detail.
The centre of the red flower is opening, yawning like a wet mouth, a tongue or lips. It could almost be belching. The surrounding petals are engorged, their fullness stretched to bursting. Wrapped around the flower at the far edges are pathways of purple, teal and turquoise blue, enveloping or embracing the red. Or perhaps the flower is pushing its way out of the dark, grown too big for its underground home, reaching for its true belonging in the path of the sun, reflected in that thin clitoral strip of yellow at the centre.
The painting is O’Keefe at her most sensuous and feminine. I came across it at an exhibition in Dublin while my mother was dying of cancer back in 2007. I brought the book with me into the hospital for her to look at something beautiful. I had been told that the colour red was good for a tired psyche and Mum was exhausted battling for her life. I can’t know if it was the colours or the fact of time spent together quietly sharing beauty that revived her that day. After she died, I inherited the book along with all her others and I’ve cherished this.
When I look at it now, I sense a more dangerous quality, the way it seems to be intruding in the space, taking space, something that most women balk at. I have always loved the singularity and determination of O’Keefe as an artist; her devotion to her craft, her honouring of her vocation at great personal cost sometimes. She was determined to do her own thing, live her own way and I have always admired that quality in her, longing for more of that bravery in my own life.
Purple is also an important colour to me. I have always associated it with spirituality and higher purpose and I see the purple in this painting as wrapping and supporting the red flower. Red speaks of passion, anger, love, and also a warning of danger. There’s a ‘too muchness’ about it and as women we’re often told that we’re too much, too sensitive, too angry, too real. Red Flower reminds us to stay in our power and our majesty, to celebrate who we are and not hide behind some idea of ‘niceness’.
Slow down, get up close, pay attention, make your art and then open up, burst forth, embrace the red, know you are circled in purple. Be a red flower.
It’s here. International Women’s day is HERE and to celebrate I’m launching the Strut and Bellow podcast. Each episode will be a conversation with a woman who makes something be it theatre, film, fiction, art, food, crafty things and for whom the making is a big part of her life.
I’m honoured and delighted that Episode One is with my dear friend Noni Stapleton, an actress and writer whose award winning play Charolais is currently touring Ireland. I couldn’t be more excited that my launch conversation is with her; we had more than a little fun chatting together. (Note to self: ease off on the cackling for the next one!)
Perfectly marbled and bashed about ‘til tender: Charolais is a surreal comedy of love, longing and one woman’s intense rivalry with a Charolais heifer. This is a muddy place of simmering desire minced with a loneliness that cuts to the bone.
“A fast-paced, witty, and intensely emotional tale filled with laughter, loss and despair” ★★★★ Irish Times
“Stapleton is a joy to watch and she knows her audience. Love, family and loss all combine at the finish to create a charming piece of theatre. Well worth the venture. A truly enjoyable show” ★★★★ The Public Reviews
She’s just back from London where she was at the Susan Smith Blackburn awards ceremony Charolais having been nominated as one of 16 finalists.
You might also recognise Noni from Showtime USA’s Penny Dreadful where she thrilled and terrified audiences as Gladys Murray the wife of Sir Malcolm Murray played by Timothy Dalton.
In Episode One, we talk about what the nomination meant to her as well as discussing bravery, vulnerability, creativity and the importance of community to see you through the highs and lows of the making life.
Charolais can be seen at the following venues
Mar 16 – St. John’s Theatre, Listowel
Mar 18 – Mermaid Arts Centre, Bray
Mar 31 – The Dock, Carrick on Shannon
Apr 1 – Droichead Arts Centre, Drogheda
Apr 2 – The Mill Theatre, Dundrum
Apr 8 – Áras Inis Gluaire, Belmullet
It was also adapted as a radio play and can be heard here.
To find out more about this lovely woman check out her website.